Cover Makeovers: What YA Book Wore It Best?

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Here’s a peek at a few YA books with a bit of facelift in the paperback edition recently. I did my best to credit the cover designer, but it’s not easy to find this information without a book before you, as was the regular drums I beat. It should be, but it’s not. Tracking this information is also difficult if many of these have not begun to appear on social media or other media, if changes are only shown in publisher catalogs. This is my regular plea for publishers to put it correctly on the book’s landing page.

Note: Most of the books discussed here are from white authors. It doesn’t reflect the whole of YA, but rather looks at a very specific subset of YA books with a redesign of the cover.

First, YA’s book celebrating milestone anniversary with a new look.

It’s withering Lauren DeStefano / “Chemical Gardens” Trilogy

Hardcover design by Lizzy Bromley

It’s daunting for me that the withering by Lauren DeStefano came out 15 years ago as of January 2026. I remember the excitement and the hot gusts of wind at Book Expo America. The cover is a unique concept, and we took the “girl in a cute dress” to a little else. The lines and circles gave the cover a slightly less romantic feel than many peer books of the time.

All three books in the trilogy have won anniversary makeovers, all taking a similar approach to the paperback above. They have a colorful and saturated design with the girl’s face covered in melted flowers. This is what I’m looking for heat And for Cutting. The initial print stained the edges, and the content of each book was slightly updated by the author.

Both are extremely time-honored in terms of their excellent cover design. The original looks like a book released in 2011. The new look appeals to the aesthetics found in YA in this genre. However, the new cover design will have more appeal on social media than the original, which is probably intentional. The original cover is a bit darker and difficult to read as a thumbnail that is hard to read on the screen, while the new cover is pop. It appears that repackaging will introduce the series to a whole new reader.

Dark man By Oscar Hejoss

The images on the two covers line up with dark guys. On the left is the original 2008 hardcover, and on the right is the new 2025 hardcover.

when Dark man Oscar Heejoss went from the 2008 hardcover edition (pictured above) to the cover of the 2009 paperback. There has been a design update. You can see the original paperback here. The original cover is impressive for several reasons, including the use of graffiti in the author’s name and the image within the contours of the guitar. The red pops on the shelves and was undoubtedly done in the days when books were released.

But it’s not the perfect cover. One of the biggest weaknesses is that the title is so small it is difficult to read.

New, refreshing covers of the book, released this month on the 26th, bring a story to today’s design trends. What I’m particularly familiar with is the guitar coming back (it was gone in the original paperback). The font size still feels small, but it’s clever to create a guitar from the book title. Like the original hardcover, the coloured palate here is also impressive.

Both covers are strong, but today’s readers will likely be drawn to a new look.

Fixer Jennifer Lynn Burns / “Fixer” Series

A side-by-side comparison of the fixer on the left of Jennifer Lynn Burns and the same book with a new title and a ruling class of covers on the right.

Jennifer Lynn Burns has become a very famous name in YA thanks to the recent success of the book series. But did you know that she has been publishing YA since 2006 when she was 19? she has.

One of her durogs, FixerIt was released in 2015 and 2016. These two books, along with fresh titles, get a new look in paperback. You can see the cover Fixerplease reserve a book on the left. That’s… okay. He doesn’t talk about the book at all, but it comes with a tagline that says “any problem can be fixed at a price” but I’m thinking a bit about what the person on the cover is trying to do.

Paperback redesign Fixer The title was given Ruling party classand it leaned against the aesthetics of illustration forward cover design that defined the 2020s in YA. What speaks to the book to highlight this cover is that we know that it has something to do with elite institutions, thanks to the visible coat of arms worn on what appears to be a uniform jacket. There is also a clever little blood here. This is the right thing to do with the “u” of domination. Burns’ name is far more prominent than being the original New York Times bestselling author.

The art is not perfect as the hair appears to land on the body in an unnatural way. However, the color scheme, larger titles, and overall design give the redesign a real edge. This could introduce new readers to Barnes’ work and allow dedicated fans to jump into her backlist. The new cover evokes the same genre/feel/atmosphere of her “Inheritance Games” series (from a different publisher than the “The Fixer” series).

This new cover of dulogy September 2nd. I don’t understand why designers and artists aren’t being forced to social media.

Also, expect to see newer cover designs from Burns’ entire career. The “The Squad” series is also getting them soon.

You’ve never told me Jennifer Donaldson

A line of lies that I've never heard of on the hardcover on the left, re-packaged paperback lied for the lies on the right.

If you’re looking for another example of a book cover that has some conversions, there’s no better conversion. Jennifer Donaldson’s lie is a lie I’ve never told me before, published in 2018 with a hardback look on the left. Then in 2019 I got a new look in paperback.

A cover of lies you've never told me

Fast forward to April 2026, the book not only has a new cover, but it also seems to have a blend of both hardcover and paperback covers for a while, but with an entirely new title: lies.

This redesign of the cover is a bit confusing, just like the title change. The original title tells us that this is a thriller, and in this age of greed for this thriller, this seems to grab the reader. The meaning of the title appears to convey something else entirely, but the new title doesn’t change much. Is this being said about a lie? Or is this being swapped back and forth about lies?

In either case, neither the original nor the new cover suggests that this is actually a work of dark modern romance.

As mentioned above, the new cover appears to fuse the original two covers. It has a dark hardcover palate and has a medium image from the paperback. However, it doesn’t blur on the new cover. Instead, what we get is probably the most useful part of the cover, the catchphrase, “When love is dangerous…”.

You will be able to win the new cover and title of Donaldson’s novel on April 7, 2026.

Old scratches Logan Ashley Kissner

Old scratches are compared side-by-side with the hardcover on the left and the paperback on the right.
Hardcover and paperback designs by Liz Dresner, art by Zoëvan Dijk.

Let’s finish with this note: both hardcover and paperback versions of Logan-Ashley Kisner’s Old scratches It’s amazing. Paperback takes all the best parts of the hardcover and converts them. Hardcover perfectly states that this is a trans horror work, with the paperback using the trance colour in a creatively destructive way.

Both are perfect covers. The same team has done both shows, and they both appeal to the book readers. (If I had chosen it for me, I would go with a bloody person, but that’s all a favorite!).

Old scratches On September 9th, I will smash the shelf with paperback.

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